#Pro tools 7.3 upgrade update
#Pro tools 7.3 upgrade pro
#Pro tools 7.3 upgrade software

The Edit window, in particular, has spruced up nicely, and although its basic layout remains largely the same, there's obviously been a great deal of polishing to make things clearer and easier for users.

#Pro tools 7.3 upgrade pro

I'm sure that's little comfort to engineers who still have to actually stay up late and work but, joking aside, the new design is definitely more aesthetically pleasing than the last significant change to Pro Tools' appearance in version 6.īut it's not just the colour scheme that's changed Digidesign have given Pro Tools a fresh, modern, and slightly flatter appearance, with redesigned icons and an updated visual vocabulary. Digidesign claim this new colour scheme is easier on the eyes when working for long periods.

#Pro tools 7.3 upgrade software

Once you have a Session open, you'll see that Digidesign have significantly changed the application's user interface, opting for the 'dark is the new light' colour scheme preferred in so many professional software products. And it's possible to create your own templates by saving a Session with the 'Save As Template' command.Īlthough the Quick Start window is useful, and more friendly than the blank screen and menu bar that greeted users of older versions, it can be disabled, which is great if you prefer to open Pro Tools and press the key command to open the most recent Session instead. While seasoned pros probably won't have much use for the included templates, beginners may find them helpful, if only just to see what's possible from a workflow perspective.

A nice touch is that these templates make use of the ability to add comments to tracks, giving helpful directions as to how the Session's mixer is configured. For those who start Sessions from a more technical perspective, the Record+Mix category offers more generic templates such as '24+EQ+Dyn+FX Returns', giving you a ready‑made 24‑track mixer with EQ and dynamic inserts on every track, along with assigned sends to three aux input tracks set up for reverb, chorus and delay effects, and a headphone bus. The included templates offer useful starting points for a number of different situations, and are organised into categories such as Guitar, Music and Songwriter, and the Guitar templates also include 'Lower CPU Usage' versions, where fewer plug‑ins are used. In addition to being able to start a new, blank Session (where you can set the usual initial audio and I/O configuration from the handy Session Parameters section) you can also create a new Session from a selection of Session Templates. This provides immediate access to the two most common tasks you'll need when starting to work: creating a new Session, and opening an existing one. Pro Tools' new Quick Start window appears when you start the application and offers easy access to the most common tasks you would want to perform when starting a Session.Īs seems to be the trend these days, the first thing you'll see after starting Pro Tools 8 - aside from a flashy new splash screen - is the Quick Start window.

I should also note that unless otherwise stated, all references to Pro Tools 8 refer to all versions of the software: HD, LE and M‑Powered.

#Pro tools 7.3 upgrade update

Given that Pro Tools 8 is such a significant update in terms of its scope and new features, this review will consist of two parts, with the first focusing mostly on the new user interface and MIDI editing capabilities. And while Pro Tools 7 and its point‑one incremental successors finally got the company's flagship product into a position where sequencing was a bit like cutting steak with a butter knife (you could do it, but it probably wouldn't be much fun), Pro Tools 8 has a clear mission: to make Digidesign a serious contender in the music‑creation market.

Will this eighth version of Pro Tools bring prosperity to Digidesign, as they try to establish their world‑leading recording and mixing application as a serious contender in the music‑creation market?įor years, Digidesign have been doing almost exactly the opposite to most other companies in the music industry: namely, trying to turn an audio application into a sequencer.

Eight is considered a lucky number in Chinese culture.